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During the 1940s she taught modern dance as well as performing in solo and group recitals.
She also made a special study of Chinese folk music and dance, pioneering field research into different ethnic traditions. Yao Drum, for example, was inspired by the Yao mountain people, and Ba'an Xianzi was a Tibetan dance.
Stockworks and disseminated W–Mo mineralization occur in the roof pendant of a 0.3 km2 monzogranitic porphyry stock that intruded into a granodiorite stock, hosted by Neoproterozoic phyllite and slate.
LA-ICPMS zircon U–Pb analyses suggest that of the monzogranitic porphyry and granodiorite were formed at 143.8 ± 0.5 Ma and 149.8 ± 0.6 Ma, respectively.
These pieces were shown in Berlin and Warsaw in 19 where they won awards.
In 1954 Dai Ailian founded the Beijing Ballet Academy, the first state centre for professional dance training.
Another piece, Flying Apsaras, was a female pas de deux that drew images from well-known frescoes in Dunhuang and moulded them into expressions of people's hopes and longings.
Western ballet was reintroduced and the Central Ballet of China has now toured widely abroad, scoring great success in London.
Dai continued her researches into Chinese folk dance forms.
Dai Ailian, dancer, choreographer and director: born ; died Beijing 9 February 2006.
Dai Ailian was widely regarded in China as "the mother of Chinese ballet".
She worked with Margaret Craske and Anton Dolin, both eminent specialists of classical ballet working in London, and with Rudolf von Laban and Kurt Jooss, seminal figures of European modernist dance who had fled Nazi Germany for Dartington.